lincoln center for the performing arts

The look and feel of a concert hall can be as important in your experience of the music as the pure acoustics.

Seats: Surrounding the stage. Budget: $550 million. Opening: March 2024. Goal: Avoid past failures.

Sure, there’s some awkward innuendo. But that doesn’t spoil the annual thrill of seeing a troupe so effortlessly diverse, international and adept.

The soprano Julia Bullock is on the verge of an unconventional career.

Bob Fosse’s 1972 film of Liza Minnelli at the Lyceum Theater remains a spellbinding document of the art of performance.

Yes, this is a thing you can do, and yes, it is awesome. For just $30 a night, you can set up camp with up to six people and enjoy an urban escape.

Andy Warhol’s “Flowers” series from 1964, set against “Cow Wallpaper [Pink on Yellow]” from 1966 in the retrospective of his work at the Whitney Museum, through March 31.

Henry Timms, currently at the 92nd Street Y, will be the next president of Lincoln Center, which has been plagued by leadership troubles.

Jerome Robbins, right, with the original “Fancy Free” cast (from left, Muriel Bentley, Janet Reed, Harold Lang and John Kriza) in Times Square in 1958. The photographer Gordon Parks is leaning over

Ricardo Taveras, an usher at the Met, before opening night of “La Fanciulla del West.”

Tom Stoppard near Lincoln Center Theater, which is presenting his play “The Hard Problem.”

The violinist Daniel Lozakovich playing at the Kaplan Penthouse, in one of the “A Little Night Music” events that have become highlights of Lincoln Center’s Mostly Mozart Festival.

Albert Garcia and Joanne Pirrie in Janis Claxton’s “Pop-Up Duets,” staged on the plazas at Lincoln Center.

From left, Thomas Tatzl and Christina Landshamer (in tank) and Robin Tritschler in a dazzling production of Haydn’s oratorio “The Creation” at the Mostly Mozart Festival.

Nmon Ford, center, as the Celebrant in a scene from the Mostly Mozart Festival production of Leonard Bernstein’s “Mass.”

At a time of struggle for performing arts organizations, Lincoln Center’s efforts have been complicated by abrupt changes in leadership.

Antoinette Nwandu gave up her teaching job to focus on writing for the stage, a risk that paid off with her new play.

“While we have achieved a lot together over the past year,” Lincoln Center’s president, Debora L. Spar, said in a statement on Friday, “I have also questioned whether the role is right for me.”