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The New Yorker

Tongue Twisters for Tech Startups

Tongue Twisters for Tech Startups

Sam Corbin writes a series of humorous tongue twisters for tech startups.
An Overlooked Novelist’s Unfinished Epic About the Lives of Forgotten Men

An Overlooked Novelist’s Unfinished Epic About the Lives of Forgotten Men

Justin Alvarez writes about the late novelist Thomas Glynn’s novel “The Cathedral of Time,” an unfinished work about Clinton Correctional Facility, the Dannemora prison.
How Voting-Machine Lobbyists Undermine the Democratic Process

How Voting-Machine Lobbyists Undermine the Democratic Process

Sue Halpern writes on how lobbyists for voting-machine companies influence elected officials to buy proprietary touch-screen voting devices that are infinitely less secure than paper-ballot systems.
“Even If He Did Do It, It Wouldn’t Be a Crime”: Rudy Giuliani on President Trump

“Even If He Did Do It, It Wouldn’t Be a Crime”: Rudy Giuliani on President Trump

Isaac Chotiner interviews Rudy Giuliani, the lawyer for Donald Trump, about Robert Mueller, the timing of negotiations over the Trump Tower Moscow project, and his own legacy.

The Mail

Letters respond to Vinson Cunningham’s analysis of how Hell has shaped the way we think and Mary Norris’s piece on learning Greek.
An L Train Love Story

An L Train Love Story

Sketchbook by Will McPhail: A lot can happen between stops.
An East Village Apartment with Its Own Trapeze

An East Village Apartment with Its Own Trapeze

Gabriel Packard on the aerialist Phoenix Feeley, who advises students to slow down and channel the Rockettes.

“Supply and Demand,” by Clarence Major

Poetry by Clarence Major: “As a dishwasher / in a restaurant / I lasted only three hours.”
Overcome Creative Block the Easy Way!

Overcome Creative Block the Easy Way!

Walter Scott humorously illustrates ways to overcome creative hurtles, including stealing others ideas then changing them a little.
Briefly Noted Book Reviews

Briefly Noted Book Reviews

“North of Dawn,” “Your Duck Is My Duck,” “The Banished Immortal,” and “People in a Magazine.”
How to Read the Good Books

How to Read the Good Books

From the Torah to the Quran, sacred texts can resist and reward modern readers, Adam Gopnik writes.
“Cream,” by Haruki Murakami

“Cream,” by Haruki Murakami

Fiction by Haruki Murakami: “‘There’s nothing worth getting in this world that you can get easily,’ the old man had said, with unshakable conviction, like Pythagoras explaining his theorem.”
You Have to Watch This Show

You Have to Watch This Show

Shouts & Murmurs by Kelly Stout: It picks up around the fourth episode, after they kill off Secondary Character You’d Kind of Thought Was Going to Be a Main Character.
Tailgating the Tappan Zee Demolition

Tailgating the Tappan Zee Demolition

Ben McGrath on the commuters, neighbors, and drone photographers who gathered to watch the bridge go down.
Haruki Murakami on Asking the Right Questions

Haruki Murakami on Asking the Right Questions

Deborah Treisman speaks with Haruki Murakami about “Cream,” his short story from the January 28, 2019, issue of The New Yorker.
Psychotic Operas at the Prototype Festival

Psychotic Operas at the Prototype Festival

New works told stories of tortured minds, Alex Ross writes.
How a Teen’s Death Has Become a Political Weapon

How a Teen’s Death Has Become a Political Weapon

When a refugee killed a fourteen-year-old girl, Germany’s far right saw opportunity in tragedy, Yascha Mounk writes.
Dana Schutz’s Paintings Wring Beauty from Worldwide Calamity

Dana Schutz’s Paintings Wring Beauty from Worldwide Calamity

Peter Schjeldahl on the artist, who vivifies the conditions of life on a faltering planet as dramatically as one can while staying devoted to aesthetic ideals.
Why Marlon James Decided to Write an African “Game of Thrones”

Why Marlon James Decided to Write an African “Game of Thrones”

Jia Tolentino interviews the Booker Prize-winning novelist about fantasy, reality, and a religious crisis that has never ended.